HeraclesOmphaleANCIENT_Plutarch

Plutarch, Comparatio Demetrii et Antonii 3.4 —
Antony measures up poorly against Demetrius in Plutarch’s estimation.

Ἀντώνιον δ’, ὥσπερ ἐν ταῖς γραφαῖς ὁρῶμεν τοῦ Ἡρακλέους τὴν Ὀμφάλην ὑφαιροῦσαν τὸ ῥόπαλον καὶ τὴν λεοντῆν ἀποδύουσαν, οὕτω πολλάκις Κλεοπάτρα παροπλίσασα καὶ καταθέλξασα συνέπεισεν ἀφέντα μεγάλας πράξεις ἐκ τῶν χειρῶν καὶ στρατείας ἀναγκαίας ἐν ταῖς περὶ Κάνωβον καὶ Ταφόσιριν ἀκταῖς ἀλύειν καὶ παίζειν μετ’ αὐτῆς. (5) τέλος δ’ ὡς ὁ Πάρις ἐκ τῆς μάχης ἀποδρὰς εἰς τοὺς ἐκείνης κατεδύετο κόλπους (Hom. Il. 3, 380 sq.)· μᾶλλον δ’ ὁ μὲν Πάρις ἡττηθεὶς ἔφευγεν εἰς τὸν θάλαμον, Ἀντώνιος δὲ Κλεοπάτραν διώκων ἔφευγε καὶ προήκατο τὴν νίκην.

“Whereas Antony, like Hercules in the picture where Omphale is seen removing his club and stripping him of his lion’s skin, was over and over again disarmed by Cleopatra, and beguilded away, while great actions and enterprises of the first necessity fell, as it were, from his hands, to go with her to the seashore of Canopus and Taphosiris, and play about. And in the end, like another Paris, he left the battle to fly to her arms; or rather, to say the truth, Paris fled when he was already beaten; Antony fled first, and, following Cleopatra, abandoned his victory.”
——trans. by John Dryden)

OGCMA slides are designed by Roger T. Macfarlane for use in Classical Civilization 241 courses at Brigham Young University.
The present resource contains information assembled for The Oxford Guide to Classical Mythology in the Arts, 1400 – 1990’s, edited by J. Davidson Reid (Oxford 1994), and it is used with express permission from Oxford University Press.
Address concerns or inquiries to macfarlane@byu.edu.