OrpheusEurydice1.0454_Feinstein
... Your mother blew my dust into your lips a powder white as cocaine, my name, runs to your nerves and now I move again in your song. You will not let me go. The dead are strong. Although in darkness I was lost and had forgotten all pain long ago: in your song my lit face remains and so we go...
"By far the most common mode of engagement [in sexual politics of classical myth] has been to rewrite stories from classical myth from the women's point of view. In Elaine Feinstein's poem The Feast of Eurydice (1981) [sic], it is Eurydice who has the authoritative voice, not Orpheus, and her reflections upon what is to be a figure in her husband's poetry reverse the typical dynamic wherein it is the man who has the knowledge and power to articulate the truths of myths." (H. Morales, Classical Mythology , 95.)
OGCMA slides are designed by Roger T. Macfarlane for use in Classical Civilization 241 courses at Brigham Young University.
The present resource contains information assembled for The Oxford Guide to Classical Mythology in the Arts, 1300 - 1990's , edited by J. Davidson Reid (Oxford 1994), and it is used with express permission from Oxford University press.
Address concerns or inquiries to macfarlane@byu.edu .