Authority for mythological source material — Roger T. Macfarlane
ÒEven Ovid is suspect.Ó RTM
ÒThe popularity of mythology means that it is treated by innumerable websites; precisely this popularity means that many of these websites are created and maintained by people whose knowledge of the classics, and indeed of mythology, is far from perfect.Ó Schaps, 327
For studying the Reception of Classical Mythology, these resources are useful
essential.
Reid, Jane
Davidson. The Oxford Guide to Classical
Mythology in the Arts, 1300-1990s. 2 vols. New York: Oxford University
Press, 1993.
— Great for reception; starts with authority; cites both classical
sources and jumping-off points for scholarly research.
Moog-GrŸnewald,
Maria, ed. The
Reception of Myth and Mythology. BrillÕs New Pauly,
Supplements, 4. Leiden and Boston: Brill, 2010.
— Even stronger for reception, but more densely packed that OGCMA; next
stop for researching reception of a myth, after Reid.
Simpson,
Michael, trans. and comm. Gods and Heroes
of the Greeks: the Library of
Apollodorus. Amherst: University of Massachusetts Press, 1976.
— Apollodorus is critically important, but always worth second-guessing;
SimpsonÕs notes help with that.
Grimal, Pierre. Ed. and trans. by S. Kershaw and A.R. Maxwell-Hyslop. The Penguin Dictionary of Classical Mythology. Harmondsworth and New York: Penguin, 1990. — A quick guide worth sticking in your pocket anytime you go to a museum; I turned my copy into an ebook and carry it on my iPad.
Graves, Robert.
Introduction by R. Riordan. The Greek Myths. Harmondsworth
and New York: Penguin, 2012.
— Quirky, over-the-top erudite, infected by Cambridge ritualism, not
nearly as sexy as the Penguin cover (nor RiordanÕs endorsement!) would have you
believe. (See my Mythmatters critique.)
Lexicon Iconographicum Mythologiae Classicae. 8 vols. in 16 + index & supplements. ZŸrich: Artemis, c. 1981 -2009. — For reception per se perhaps less valuable; but for teaching that reception will ever be with us, this is da bomb.